Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part three)

This is a three part series. You can find all of the parts here:

1. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part one)


2. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part two)


3. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part three)

Dorothy and her motley crew. Armed with the will to power, these are dangerous intellectuals who undermine the authority of the state.

Why Nietzsche was not a nihilist

This is the third and final part, explaining why Nietzsche claims you may be perpetually trapped in the Land of Oz. At the very least, you are perpetually trapped on the yellow brick road.

• Considering Nietzsche's own testimony of his war method, we find that nihilism has all the characteristics of one of his worthy adversaries. Nihilism is a cause that is victorious. It is a cause against which he would not find allies easily, because his only allies would be deists, and these are hardly friendly with Nietzsche after such exhilarating titles such as Beyond Good and Evil and The Antichrist. It follows that Nietzsche would stand alone if he opposed nihilism, which he did in his writings. In fact, in The Antichrist, Nietzsche calls nihilism the will to nothingness, which is contrasted with the will to power. Nietzsche thus sees nihilism in opposition to the will to power. He identifies nihilism as a natural reaction of the Judeo-Christian perspectives to the notion that God is dead, and claims that nihilism is necessary in order to restore the healthy will to power in the populace.


• Considering the opposition of Apollonian and Dionysian impulses in art, it is easy to equate nihilism with a new world order. Nihilism represents the new Apollonian dynasty. With Nietzsche's methods in mind, it is obvious that Nietzsche would rather be the Dionysus of the new dynasty if the new Apollo already showed its face. Only an Apollo that could withstand the attacks of its Dionysus would be worthy of instilling the master morality of the new generation.


• Considering Nietzsche's radical perspectivism, one finds that Nietzsche acknowledges nihilism as a valid perspective, but he does not think that it is sound. Nihilism claims that there is no purpose to existence. Nietzsche believed in eternal recurrence. Eternal recurrence is a kind of determinism, meaning we don't really have free will. Eternal recurrence holds that time is infinite, but matter itself is finite. Since matter is finite, the exact combination of matter is likely to occur several times during the course of infinite time. With regards to the yellow brick road, nihilism says there is no point in moving either way along the yellow brick road. The thought of eternal recurrence holds that if we equate the yellow brick road with infinite time, the yellow brick road would extend forever beyond and before the Emerald City. In such an universe, it is likely to encounter the nihilists sitting on the side of the road, claiming the road leads nowhere. It is likely to encounter several Dorothies at various points along the road, and these various points would all be exact replicas of the Land of Oz. In other words, Nietzsche inverts the nihilistic notion that the yellow brick road leads nowhere and claims instead that the yellow brick road leads everywhere else.


• Considering Nietzsche's theory of master and slave moralities, one could deduce that Nietzsche's purpose is to test all master morality of the next generation. His perspective offers the hindsight of nihilism and Christianity, with its dogmatic requirements of the supernatural and of objective morality. Since these values are attributes of the fallen master moralities of old, Nietzsche rejects them outright. These values are too close for comfort to the values of the wizards who were already behind the curtain, and thus neither nihilism nor Christianity are worthy of pulling the levers in the sequel to the Wizard of Oz.

The Emerald City on the horizon. Eternal recurrence claims we may be forsaken to return to the Land of Oz. Forever.

In conclusion, it is clear that Nietzsche's notions of the will to power, the opposition between Apollonian and Dionysian impulses in art, the struggle between master and slave morality and eternal recurrence are incompatible with a nihilistic world view. His concepts of the übermensch and the last man represent two possible reactions to nihilism, with the übermensch being one that successfully transcends the pessimism of Schopenhauer by utilising the will to power and the last man being one who falls prey to nihilism, the will to nothingness. The last man is tired of living, he takes no risks, he sees no solutions, he seeks comfort and security. In contrast, the übermensch sees utility in place of the last man's futility.


Ruby slippers. Futility for the last man. Utility for the übermensch.

Sources consulted

• Tad Beckman's course notes on The Antichrist, one of Nietzsche's most controversial works.


• Wikipedia page on nihilism. Also claiming Nietzsche was critical of nihilism.


• Wikipedia page on determinism. Wikipedia is free, but not as free as you might think.


• Wikipedia page on eternal return, with an explanation of Nietzsche's eternal recurrence.


• Wikipedia page on the philosophy of Friedrich Nietzsche, also contradicting the opinion that Nietzsche was a nihilist.


• Wikipedia page on Arthur Schopenhauer, with his will to live.


• Wikipedia page on The Wizard of Oz, the film not the book.

Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part two)

This is a three part series. You can find all of the parts here:

1. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part one)


2. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part two)


3. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part three)

Nietzsche's perspective: Someone has to be the next Wizard of Oz and it might as well be one of us

Winston Churchill said that democracy is the worst form of government we could possibly have, except for all the others we have tried. This sums up what Nietzsche might say if he discovers that there are no more wizards behind the curtain in the Land of Oz. The next wizard would have to be less bad than the previous ones we had. In other words, any wizard different from previously flawed wizards would suffice. This explains Nietzsche's adversity to the Wizard of old, namely Christianity, and his adversity to the Wizards of his day, namely nihilism, nationalism and anti-semitism. But let's have the man speak for himself:

Nietzsche's methods: His practice of war

“My practice of war is formulated in four principles:

• ...I only attack causes that are victorious...


• ...I only attack causes against which I would find no allies, so that I stand alone...


• ...I never attack persons...


• ..I only attack things when all personal differences are excluded, when any background of bad experiences is lacking. On the contrary, to attack is to me a proof of goodwill, sometimes even of gratitude...”

This is taken from Ecce Homo, Nietzsche's sarcastic review of his own life and his own works.


The Wicked Witch of the West. Prime exponent of master morality. One example of perspectivism.

Nietzsche: The Toto of the yellow brick road.

Critics of Nietzsche claim that his philosophy has no purpose and that he is without conviction. This proves to be inaccurate when one considers common themes in his philosophy.

• The opposition of Apollonian and Dionysian impulses in art: The Greek gods Apollo and Dionysus represent a struggle between order and chaos in art. While they were not rivals in the classical mythology sense, their aspects are thought to be in conflict in works of art. Apollo represents order, stability and harmony. Dionysus represents primal nature, chaos, ecstasy and intoxication. In short, Apollo represents the perspiration and Dionysus represents the inspiration.


• The will to power: Darwin postulated that only the fittest survive, and evolution is the process of determining which physical characteristics are most desirable to enable the fittest to survive. It is thus the strong that rule the weak. With regards to Schopenhauer's will to live: those with a stronger will to live, survive those with a weaker will to live.
  
  Nietzsche claimed that the weak rule the strong (the meek shall inherit the earth, as it were), because the process of evolution serves to strengthen the weak and weed out the strong. Nietzsche claimed the will to power overrides even the will for survival. In other words, a will to power could even cause an organism to sacrifice its own life for a cause, thus contradicting that survival in the Darwinian sense is its ultimate cause.
  
  Recent discoveries in biology such as genetic drift affirm that survival of the fittest only becomes the overwhelming criterion when the survival of a species is threatened. In the absence of immediate threats to survival, genetic drift largely determines physical characteristics. Nietzsche's will to power is an attempt to explain why members of a society carry on growing and establish a hierarchy, despite the absence of a threat to their survival and by extension, despite an apparent purpose. In terms of the Wizard of Oz, each member of Dorothy's company had a different reason for going to see the Wizard, and none of these reasons were survival. Each of them exhibited a will to power.


• Slave morality and master morality: To Nietzsche, master morality weighs actions according to their consequences. The essence of master morality is nobility. Slave morality weighs actions according to their intentions. The essence of slave morality is utility. Morality in this sense suggests certain codes and norms of a society. Masters of a society establish these norms by considering consequences. Slaves of a society evaluate what the masters establish, in other words they affirm or reject the values established by stronger willed members. Slave morality and master morality are in conflict to create a moral middle ground. Dorothy represents master morality in the Wizard of Oz, and her companions are evaluating her intentions. When they find her motives to be in harmony with theirs, they accompany her on her journey down the yellow brick road.


• The claim that God is dead: Because of the advent of nihilism, God (capitalised, to indicate the Judeo-Christian conception of god) is dead because He is no longer considered a valid source of objective morality nor a cause of existence. In other words, Dorothy and her friends arrive in the Emerald City and they find that the wizard is an old man behind the curtain pulling levers. The wizard of Oz as they understood it is dead. For all intents and purposes, their god is dead.


• Radical perspectivism: Nietzsche claimed that all ideas originate from a particular perspective. There are many perspectives, and thus many different truths, but not all truths are equally valid or equally sound. Dorothy's perspective is that the wizard of Oz knows how to send her back to Kansas. The Wicked Witch of the West's perspective is that Dorothy represents a threat to the reign of terror, and Dorothy had to be eliminated. Dorothy's perspective was valid, considering her source of information, but not sound. The Wicked Witch of the West did have a valid and sound argument. From our perspective, she is a Wicked Witch because she interferes with Dorothy's plans to get back to Kansas. From her perspective, Dorothy threatens the moral fibre, because the Munchkins are not hapless slaves any longer.

Munchkins. Prime exponents of slave morality. Übermenschen, not so much.

It is clear that Nietzsche's philosophy did have meaning. To put it succinctly, since Nietzsche's philosophy had meaning, he could not have been a nihilist. For the more elaborate version, see the third part of his series.

Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part one)

This is a three part series. You can find all of the parts here:

1. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part one)


2. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part two)


3. Why Nietzsche was not a nihilist and why you are forever trapped in the Wizard of Oz (part three)

A brief outline of nihilism

Friedrich Wilhelm Nietzsche is the one philosopher whose name is synonymous with nihilism. While there are similarities between nihilism and Nietzsche's philosophy, I do not believe it is accurate to claim that Nietzsche was a nihilist. In order to motivate my viewpoint, we will have to consider brief outlines of both nihilism and the philosophy of Nietzsche. Note that these are working definitions and my citations are mostly from Wikipedia. I am not a philosophy expert.


Nietzsche. Strapping young lad. Godless heathen. Nihilist, not so much.

The shocking claims of nihilism: there is no wizard behind the curtain, and even if we had a wizard it means nothing

Nihilism claims that existence itself is meaningless. It follows that there is no purpose to existence. The basic tenets of nihilism are:

• Objective morality does not exist. One course of action is not preferable over another.


• Since there is no objective morality, existence has no purpose.


• There is no credible evidence of supernatural beings. Even if there are supernatural beings, we are not obliged to worship them.

The fact that Nietzsche is credited with the axiom 'God is dead.. and we killed him' is not really helping to separate the wheat from the chaff either. Before we consider Nietzsche's philosophy, we need to consider the inherent problems in the philosophy of nihilism and an outline of Nietzsche's methods, or his raison d'etre if you will.

Inherent problems with the philosophy of nihilism: but there is a land of Oz with a yellow brick road

• Subjective morality does exist: The lack of objective morality is not reason enough to assume that there is no morality. It is not even reason enough to assume that morality is immoral, but perhaps enough reason to assume that morality is amoral. For instance, it is generally regarded that murder is wrong. This dogma does not point to objective morality, but it is consistent in virtually all cultures, and exceptions to this rule are just that – exceptions to the rule. When Dorothy kills the Wicked Witch of the East, it is reason for mirthful celebration and ponies and rainbows. No Munchkin demands Dorothy's head on a platter. There are exceptions to the rule that murder is wrong, and while it points to a lack of objective morality, it does not indicate complete lack of morality. It indicates subjective morality.


• Existence is a purpose: 'Existence has no purpose' is an empty statement. This is akin to Dorothy seeing the yellow brick road, but deducing that it disappears over each horizon, and therefore the yellow brick road goes all around the world and ultimately leads back to this exact same spot. What is her purpose then for following the yellow brick road?
  
  When examining this statement critically, it first needs to be falsified. Nihilists would have to define conditions for existence to have a purpose. Further complications aside, if you define objective morality as the condition and if you fail to prove that objective morality exists, then you could deduce that existence has no purpose. Perhaps this is why a statement like 'god is dead' is so shocking to religious people. To them, god is the ultimate objective gauge of morality. No god means no objective morality. No objective morality means no purpose. Everyone without god (including Nietzsche) must therefore be nihilists, since they do not believe in the ultimate reason for existence of those with a god.
  
  The axiom that existence has no purpose is fallible. What if the purpose of existence is to realise that existence has no purpose, and the purpose of existence is to overcome this existential crisis? This would mean that existence does have a purpose, which refutes the axiom. To summarise, what if the meaning of life is to give meaning to life? It is thus likely that the wizard of Oz built the Emerald City and established himself as ruler in order to give meaning to his life. While this exercise is ultimately futile, it suggests the notion that any action is better than no action. Nihilism proposes no action, since any action is ultimately futile. The Wizard of Oz proposes that any action has a purpose, if only for its immediate reactions.


• There is credible, but not conclusive evidence that there are no supernatural beings: In other words, there is not enough evidence to suggest that there is no tribe of flying monkeys. The statement 'there is no credible evidence of supernatural beings' would also have to be falsified. Nihilists would have to define conditions which would indicate evidence of supernatural beings. I for one agree with nihilists, but I can not prove conclusively that there are no supernatural beings. The lack of credible evidence supporting supernatural phenomena is also my main argument, and the natural scientific explanations of most supernatural phenomena to date are my conditions for falsifiability. If flying monkeys have a natural explanation, they aren't supernatural, but it does not mean that flying monkeys do not exist.

Nihilists and religious thinkers thus suffer from the same Achilles heel. Both ultimately rely on supernatural beings as a condition for objective morality. Both rely on objective morality is a requirement for the purpose of existence. Which side does Nietzsche take in this school yard brawl?

Completely Inappropriate Synopses of Selected Steven Spielberg Films

Steven Spielberg, one of the most celebrated directors of our time.

This evolved out of a forum game. The purpose of the game is to provide a completely inappropriate synopsis for movies. This inappropriate synopsis should either

• spoil the plot


• offend the reader


• offend the writer


• offend the reader, offend the writer and spoil the plot


• be otherwise inappropriate

If you sugar-coated a synopsis with quiet diplomacy and politically correct terms and it still had a foul politically incorrect stench, you are on the right track.

Reminds me of a similar game president Robert Mugabe and president Thabo Mbeki like to play with people's lives, namely give a completely inappropriate synopsis of the current state of your country.

My version of completely inappropriate movie synopses will not endanger human lives (other than my own, perhaps) and is less hurtful. But not much.

I did not try to be as politically incorrect as I could, but I did try to step on a few toes. To aid me in my quest, I looked at a list of isms political correctness tries to sweep under the carpet:

• ageism – I somehow missed this one


• racism – check


• religious intolerance - check


• sexism – check


• xenophobia – check

If your toes are hurting after reading these, I achieved my purpose.

The politically incorrect and completely inappropriate guide to selected Steven Spielberg films

Film poster for Jews. I mean, Jaws.

Jaws
This Darwinian view on the potential outcome of global warming where the whiteys get mauled by a gigantic great white shark for their colonialist ways doesn't have a single brother who gets killed. Everyone knows black people can't swim. That's what you get for going against nature and putting your white ass where Jesus didn't put it. This movie does have a great white, but it's not you. Ha ha, honky! Ha ha!

Close Encounters of the Third Kind
A man and his faeces cake get abducted by aliens who like Jean Michel Jarre way too much. Xenu tricks him with fancy lights, fancy aeronautics and the smell of patchouli to sacrifice his rectum willingly to their advanced science, elongated appendages and culinary skills they clearly abducted from the French. The search for one intergalactic faeces cake to bind them all.

E.T - The Extra-Terrestrial
An illegal alien who actually wants to leave America, the land of opportunity. He skips the tardy queues at the immigration office by calling his parents to pick him up and take him back to Mexico. That's somewhere in Africa, right?

Poltergeist
Dabblers in the occult get what they deserve. Amen, Jesus. Amen.

Gremlins
The heart warming tale of a man and his gerbils. Features a few good reasons why men shouldn't cook. Contains scenes of suggested felching.

The Color Purple
In this tale about the ordeal one Muslim woman had to endure during the crusades, Whoopi Goldberg proves that as a black person, she only got that Affirmative Action Oscar because she has a Jewish surname. Welcome to Hollywood.

Hook
Freud gets his day when a grown man prefers to live a life of frolicking with prepubescent boys instead of living with a woman of his own age who is willing to smell his farts, cook his food and clean his house. Maybe she reminds him of his mother and living with little boys is easier than living with his guilt. I pray that Jesus delivers this man from his homosexual abominations before he is old enough to wear nappies again. Amen, Jesus. Amen.

Schindler's List
A near black and white comedy based on life in Nazi Germany, which is transformed into a tragedy when a German soldier dies.

Amistad
Amistad proves that making films about Jewish suffrage is more profitable than making films about black people being exploited. It is fashionable to hate Nazis, but it's not fashionable to hate slave drivers when they are so close to home. The movie features black people from the 1800s. They couldn't swim back then and they can't swim now.

A.I: Artificial Intelligence
One of Hollywood's best directors delivers one of his best projects. Pity Spielberg had to get involved to turn Kubrick's final project into another boy and his alienation (alien nation?) film. Not even the advanced robotics portrayed in the film could make the gay white android dance. Black people can't swim, white people can't dance. Not even as gay androids. Amen, Charles Darwin. Amen.

Minority Report
This is a futuristic documentary about the kind of dystopian life Tom Cruise and Scientology want for us all. For our own good. Amen, L Ron Hubbard. Amen.

Another completely inappropriate synopsis

Yes, the three little pigs is offensive and completely inappropriate. I wonder how inappropriate it is since Green Jelly mixed it with secular rock music?

Now that's completely inappropriate for a niche blog dedicated to heavy metal albums and horror films. Racism, xenophobia, sexism, ageism and religious intolerance is one thing. Actually, they are five things, but secular rock music is another thing all together. I think I crossed the line this time. Don't despair, there will be more heavy metal and horror films as soon as I burnt all my Fleetwood Mac LPs.

Completely Inappropriate Links

• Baa, baa black sheep. Yes, it is ageism at its worst. Or was that religious intolerance? Whatever.


• Suffolk Center of the Holocaust, Diversity & Human Understanding . I shit you not.


• The three little pigs story offends nappy-headed hos and thus the UK refuses to transmit this harmful meme in its schools. Well, as a vegetarian I'm offended by phrases such as: "Behead those who insult salami!". Or was that: "Behead those who insult Islam?". I can never remember.


• Top 10 politically incorrect phrases of 2007. Good for a laugh. In Australia, you can't say:"Ho, ho, ho! Merry Christmas!". You have to say: "Ha, ha, ha!". Well, I just did.


• Roald Dahl's The Three Little Pigs. Now THAT is offensive. Xenophobia in rhyme, no less.