Showing posts with label 3D. Show all posts
Showing posts with label 3D. Show all posts

06 February 2008

Dagon (2001) Review


Conclusion
A noble effort by Miskatonic University graduates. It features buckets of blood and everybody's favourite Cephalopoda: Cthulhu! The Great Old One even gets a sacrifice or two.

This film is clearly low budget, but whether that is a weakness or a strength depends on your perception. I feel necessity breeds invention. And sometimes a race of Merpeople.

Plot
Barbara and Paul are enjoying a cruise when their ship suddenly becomes shipwrecked. That's what you get for letting an IT professional navigate without google earth. They seek help in a nearby Spanish harbour. At first, the inhabitants seem friendly, but the tide soon turns.

The inhabitants are a tad more than eccentric. In fact, they are just plain creepy:
  • they have no electricity. No, this is not a South African port, but a fictional Spanish town called Imboca

  • there is a strange symbol everywhere

  • there are virtually no opposable thumbs in Imboca

  • no really, I am not kidding. There are virtually no opposable thumbs in Imboca

It turns out that Barbara was kidnapped instead of being helped. To what end? Well, that's where Cthulhu comes in.

Inhabitants of Imboca faithfully answer to the call of Cthulhu. If you aren't chanting "Ia! Ia! Cthulhu ftaghn!" by now, you might not enjoy this movie.

Review
  • Dagon is loosely based on the works of H.P. Lovecraft. In particular, the tales Dagon and The Shadow Over Innsmouth were used: Dagon for the name, and the latter for the plot. The infamous author is long since "dead but dreaming", which means you can find the complete works of H.P. Lovecraft for download, free.

  • There is some CGI, but it is not intrusive. More importantly, it is not tacky. You won't find actors playing imaginary dodge ball in front of a blue screen. It must be one of the few recorded incidents of tastefully used CGI.

  • There are several latex heads. Even latex hands. Expect even anatomically non-descript latex, but as far as I could tell there were no severed latex heads.

  • Expect even some fine breast implants on display.

  • A man features as the protagonist and a woman as an antagonist, or half a woman as an antagonist. Nevertheless, for the most part, Dagon abides by the 10 Commandments of Horror.

  • Produced by Brian Yuzna, who also directed Faust: Love Of the Damned. He is one of my favourite producers, because if you see his name on a credit roll, it means buckets of blood. Dagon is no exception. Let's just say your skin will crawl.

  • Dagon is Spanish actor Francisco Rabal's last film. The dynamic between him and Ezra Godden is great to watch, especially in the dialogue right before Rabal's character gets... no wait, that would be telling. Watch it!

  • It could always do with more ooze.

  • It could always do with more fine breast implants.

Dagon also teaches us morality. It suggests a perplexing philosophy, sometimes difficult to grasp, but for the layman it could be summarised in a few words:

What Would Cthulhu Do?

Director
Stuart Gordon

Cast
Ezra Godden
Macarena Gómez
Raquel Meroño
Jorge Luis Pérez
Francisco Rabal

Rating

10 January 2008

The 10 Commandments of Horror

What makes a good horror film?

A difficult question. Many a man has lain awoke at night, pondering such a question. Many a woman has burnt her bush in agony. Many a man has lain awoke at night, after being burnt by the bush of a woman in agony over such a question. Some women too, but those aren't the kind of films under scrutiny here. Thankfully, He who walks behind the rows has given us His commandments. Stick to these, up and coming producers of gore filled horror, and thou coffers shalt be full, and thine jacuzzi frequented by buxom beauties.


10. Thou shalt have buckets of blood

And why not? It is a horror film. Most people find bleeding horrific. Horror films should not only exploit that feeling, but also reinforce the idea that bleeding is horrific. People should think before they make other people bleed and before they make themselves bleed. It is similar to cathedrals showing images of hell on the interior. If horror films had enough buckets of blood, no amount of listening to Marilyn Manson at an impressionable age could bring one to cut your own thighs while feeling sorry for yourself. Save the emo, put buckets of blood in your horror films. Buckets of blood work particularly well when combined with inexplicable boob shots.


9. Thou shalt have inexplicable boob shots

Exhibit A (or more like exhibit 32C): Kelly Brook from Ripper, a letter from hell.


I think we're all agreed on this one.


8. Thou shalt have as thine antagonist a male, middle-aged and unsettling

The original (and only) Texas Chainsaw Massacre (1974) is the benchmark for all slasher flicks. While the speckled teenage hitch-hiker is unsettling, he is not nearly as unsettling as the middle-aged chainsaw wielding unsettling Leatherface. Observe how effectively that film combines not one, but a few female protagonists. They did not break the fifth commandment, which made their eighth commandment much more sensible. Halloween and Nightmare on Elm Street continue with this tradition.

There are some very successful horrors that incorporate children as antagonists. The Omen (1976) series comes to mind. This is because children are evil and we should destroy their souls. Do your bit to prevent a real-life The Omen today: tell a kid Santa is short for Satan, he's just trying to trick them.


7. Thou shalt have fake latex heads

Yes, computer generated imagery (CGI) does have its place. For morphing, for making people leap from tall buildings, for adding explosions, for underwater or outer space scenes. Even for the occasional beast, to give it a radio active glow, or to enhance the buckets of blood. However, nothing can replace real fake latex heads. Imagine Lady Frankenstein without the real fake latex heads. I couldn't. If you could, you should go study 3D animation. Come to think of it, latex tentacles are a great idea too. There's a small yet dedicated niche market for live action hentai out there, and I want to see those people pleased. Not see them being pleased in the physical sense, but pleased in the metaphorical sense.. but those aren't the kind of films under scrutiny here.


6. Thou shalt have ooze

Thanks to the invention of K-Y Jelly, no latex monster needs to be without ooze ever again. People who are afraid of snakes, incorrectly describe them as being slimy. Being slimy is one of those properties that still reverberates within our subconscious minds with something distasteful and unsavoury. We associate slimy not only with cafe Greeks, but also with disgusting creepy things that want to get into your pants. Come to think of it... oh never mind. The point is ooze makes latex more horrific. Slime must remind us subconsciously of Vincent Price's Brylcreem hair. Blood, sweat, tears and K-Y Jelly. It makes all the horror fit.

What is the fifth commandment? Why are there only five commandments, when the topic clearly states there are ten? Rest assured, for those who write commandments work but one day per week. The rest of thine commandments are hither - sooner than you could find a talking donkey. I post with much haste!

21 November 2007

The amazing pavement Picasso

Julian Breever is an artist who employs trompe-l'œil techniques to create extraordinary 3D effects on an ordinary pavement - with chalk.








The technique most employed by Breever is anamorphosis. Anamorphosis involves using a distorted projection which requires a particular observation point to be effective. To create this illusion, Breever uses a camera on a tripod and keeps checking every mark he makes. Breever's pavement artworks usually take 3 days to produce. He works for the sake of entertainment and a satisfying photograph providing conclusive evidence of his labour at the end.In his quest for making objects appear out of pavements, he faces many challenges from the elements as well as the authorities, but generally his efforts are accepted well.

"Art shouldn't be locked away in galleries and libraries and books. Art should be for everybody and not just art boffins, historians and so-called experts."

That is true. I just wish the wannabe graffiti artiste in my neighbourhood would spend some more time with a pad and a pencil before he scribbles on our walls.

Here are a few links with more on Breever:
Julian Breever (official web site)
BBC pavement Picasso feature
The page with the time-lapse video showing Breever creating the whitewater rafting scene

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