Interview with Lerue Delashay
Lerue Delashay is a Los Angeles based composer who specialises in ominous soundscapes. His multifaceted career kicked off with a stint as the keyboard player in the symphonic metal band Theatre of the Macabre.
Since then, he has written and performed the film scores of several films, including The Homecoming, Book of Lore and Dead Men Do Tell Tales. In addition to his film scores, he also released several excellent solo albums of brooding, introspective neo-classical and ambient compositions.
With the release of the latest Lerue Delashay album, The Cycle of Fifths, Lerue was kind enough to grant The Necro Files an interview.
NF: First things first. Your new album, "The Cycle of Fifths", was mastered by Hollywood engineer John Rodd. How would you describe your working experience with him?
Lerue: John is an extremely professional Engineer who was very proficient in his craft and had a wonderful ear for bringing out the richness and character of the music. His vast experience in Mixing and Recording Classical and Orchestral film music helped him to bring the most out in my compositions, and I was very fortunate that he was interested in working together.
NF: Would you name 5 of your favourite composers?
Lerue: Ludwig Van Beethoven, Richard Wagner, Peter Ilyach Tchaikovski, Igor Stravinski, Alfred Schnittke.
NF: Could you name some of your favourite compositions?
Lerue: Degas - The Sorcerer's Apprentice.
Verdi - Requiem Mass.
Wagner - The Flying Dutchman Overture, Ride of the Valkeries, Ring of the Nebilinglund cycle.
Tchaikovski - Marche Slav, Pathetique Symphony.
Holst - The Planets cycle.
Orff - Carmina Burana.
Stravinski - The firebird, Rite of Spring.
Schnittke - String Quartet series.
NF: You recorded a metal album (A Paradise of Flesh & Blood, with Theatre of the Macabre). Do you still enjoy metal?
Lerue: On occasion, though I tend towards the nostalgic music that I grew up with when listening to metal, and have not kept up on current music.
NF: Have you ever been ostracised due to your beliefs? Does it bother you either way?
Lerue: My beliefs are my own, I tend to not wear them as a badge and therefore do not become a martyr.
NF: Besides being an accomplished classical composer and an accomplished solo artist, you also worked with CD 1334. Please describe your working experience with the original Christian Death members?
Lerue: CD 1334 was an interesting experience, and it was wonderful to have the opportunity to play music that I had listened to as a young man. They had a great sense of dramatic imagery and the music still had an impressive sound, which brought to the stage made for many wonderful performances.
NF: Recently, you've composed some film scores. Is this something you particularly enjoy, or do you just do it to pay the bills?
Lerue: Certainly, I do enjoy creating music for film, and I have a deep passion for writing music which accompanies the drama and action that unfolds as the movie tells its story.
NF: How did you learn music theory? Did you have formal training or did you teach yourself?
Lerue: I have had no formal training, and a majority of my acquired knowledge has come from my personal studies of harmony, counterpoint and Orchestration. I have been approached by an accomplished Composer who studied for twelve years at the Rome Conservatory who wished to tutor me on advanced techniques though, and so my studies with him will commence shortly.
NF: Pirates or ninja?
NF: What would Cthulhu do?
Lerue: Let me try and write my favourite Quote from Lovecraft.
"The most merciful thing in the world, I believe, Is the inability of the human mind to correlate its contents. We live on a placid isle of tranquillity amidst the black seas of infinity, and it was not meant that we should voyage far. The sciences, each striving in their own direction, have hitherto harmed us little. But one day, they shall open up such terrifying vistas, and of our place therein, that we shall either go mad from the blinding light, or stumble forth into the dawn of a new dark age"
I memorized this quote for its elegant structure and divine meaning. Lovecraft was certainly more than a pulp writer, and his style to this day still draws me in.
I would like to express my gratitude to Lerue Delashay for taking time from his busy schedule to grant me this interview. Thanks very much!